الوسم: Avery Fisher Hall
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New York Philharmonic at Avery Fisher Hall, March 12, 2014
Alan Gilbert, by Karsten Moran for The New York Times New York Philharmonic at Avery Fisher Hall, March 12, 2014The New York Times, March 14, 2014 In which I describe Carl Nielsen's Symphony No. 4, "The Inextinguishable," like so: "A seamless sequence of vivid episodes, the piece is a craggy MacGuffin that shouldn’t work but…
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The New York Philharmonic at Avery Fisher Hall, December 5, 2012
Juraj Valcuha conducts the New York Philharmonic, by Hiroyuki Ito/The New York Times The New York Philharmonic at Avery Fisher Hall, December 5, 2012The New York Times, Dec. 7, 2012 An auspicious debut for conductor Juraj Valcuha.
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Distinguished Concerts International at Avery Fisher Hall, November 25, 2012
Jonathan Griffith conducting Distinguished Concerts International, by Michelle V. Agins/The New York Times Distinguished Concerts International at Avery Fisher Hall, November 25, 2012The New York Times, Nov. 27, 2012 What a treat to hear the bombastic arrangement of Handel's Messiah made by Eugene Goossens for Thomas Beecham, a standout among a full slate of more…
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The New York Philharmonic at Avery Fisher Hall, November 8, 2012
Glenn Dicterow, Alisa Weilerstein, Kurt Masur and the New York Philharmonic, by Richard Termine/The New York Times The New York Philharmonic at Avery Fisher Hall, November 8, 2012The New York Times, Nov. 10, 2012 A slightly messy concert, but a consistently exciting one, too. After I posted this review on Facebook, a friend pointed out…
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Passing the torch.
Anne-Sophie Mutter, Roman Patkoló and members of the New York Philharmonic at Avery Fisher HallThe New York Times, April 6, 2011 What kind of musician attracts Anne-Sophie Mutter's attention? Watch bassist Roman Patkoló playing Pablo de Sarasate's Zigeunerweisen, a familiar violin showpiece, and you'll know the answer.
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Overheard.
The New York Philharmonic at Avery Fisher HallThe New York Times, March 25, 2011 Writing reviews is seldom easy, but this one was an exception; somehow, once the opening bit came to me, the rest flowed without much effort. I had real fun with it. And yes, the opening quotes are genuine.
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Parlez-vous français?
The New York Philharmonic at Avery Fisher HallThe New York Times, June 5, 2010