A weekly tally of memorable things Steve Smith has stuck in his ears.
John Luther Adams – The Wind in High Places (Cold Blue; 2015)
> The Wind in High Places – JACK Quartet; Canticles of the Sky – Northwestern University Cello Ensemble/Hans Jørgen Jensen; Dream of the Canyon Wren – JACK Quartet
Oceans Roar 1000 Drums – Oceans Roar 1000 Drums (Sacred Realism; 2019)
Wolfgang von Schweinitz – Klang auf Schön Berg La Monte Young – Goeyvaerts String Trio (Louth Contemporary Music Society; 2019)
Wolfgang von Schweinitz – Plainsound Counterpoint; Catherine Lamb – Mirror – Frank Reinecke (Neos; 2015)
Forever House – Eaves (Infrequent Seams; 2018)
Mark-Anthony Turnage – Speranza; From the Wreckage – Håkan Hardenberger, London Symphony Orchestra/Daniel Harding (LSO Live; 2013)
Richard Strauss – Four Last Songs; Richard Wagner – Arias from Tannhäuser – Lise Davidsen, Philharmonia Orchestra/Esa-Pekka Salonen (Decca; 2019)
Anna Meredith – FIBS (Moshi Moshi; 2019)
Matthew Shipp/Nate Wooley – What If? (Rogue Art; 2019. Audio sample here.)
Art Ensemble of Chicago – We Are on the Edge (Pi Recordings; 2019)
Lea Bertucci/Kyle Eyre Clyd – Lea Bertucci/Kyle Eyre Clyd (Ultraviolet Light; 2019)
Ellen Arkbro – Chords (Subtext; 2019)
Julianna Barwick – Circumstance Synthesis (RVNGIntl.; 2019)
Zosha Di Castri – Tachitipo (New Focus; 2019)
> The Animal After Whom Other Animals Are Named – Ekmeles; Cortège – Talea Ensemble/Lorraine Vaillancourt; Quartet No. 1 – JACK Quartet; Dux – Julia Den Boer; La forma dello spazio – International Contemporary Ensemble/Lorraine Vaillancourt; Tachitipo – Yarn/Wire
Bent Knee – You Know What They Mean (Inside Out; 2019)
Prince – 1999 (Super Deluxe Edition) (Warner Bros.; 1981-83/2019)
Thank You Scientist – Terraformer (Evil Ink; 2019)
black midi – Schlagenheim (Rough Trade; 2019)
Gum Takes Tooth – Arrow (Rocket Recordings; 2019)
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