Donna Lewis
Time Out New York
Aug 15–21, 2013
Any self-respecting pop star would be delirious to have a hit like “I
Love You Always Forever,” an irresistible bit of romantic treacle that
launched Welsh singer Donna Lewis to global success in 1996. Same goes
for “At the Beginning,” the uplifting duet with Richard Marx from the
animated film Anastasia, which returned Lewis to the top of the charts in 1997.
But if you really listened past the earworm chorus and
bubbly beat of Lewis’s debut hits, you quickly sensed that she was no
flash in the pan. The classically trained daughter of a jazz pianist,
Lewis had a breathy coo that could recall Kate Bush, and used it with a
flexibility that few pop princesses could muster.
Still does, to judge by Brand New Day, a striking demo Lewis
has just recorded with prog-jazz trio the Bad Plus. Produced by
avant-guitarist David Torn, the collection addresses a personalized
pantheon: Songs by Antonio Carlos Jobim, Burt Bacharach, Chocolate
Genius and Gnarls Barkley mesh cozily and radiate congeniality. “I Love
You Always Forever” merits its inclusion. At Drom, pianist Aaron Parks
sits in with Bad Plus bassist Reid Anderson and drummer Dave King for
what’s certain to be an illuminating reintroduction.—Steve Smith
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Presumably the reason why the Bad Plus pianist Ethan Iverson isn't on this gig is because he's opening a run with veteran drummer Billy Hart's superb quartet at Birdland the same night. That band, with saxophonist Mark Turner and bassist Ben Street, is also strongly recommended; read Hank Shteamer's 2012 Time Out feature on the band for more details. All of which said, Aaron Parks is an excellent choice for a sub with Lewis et al at Drom.
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